Jordan Ashmore is a British actress from the south coast of England, now based in Los Angeles. A graduate of The Bridge Theatre Training Company in London, she has brought compelling characters to life across stage and screen.
Her work includes starring as a lead in Hamlet, portraying Anne Boleyn in a historical documentary series, and taking on various TV roles and commercials. Passionate about storytelling, Jordan thrives on connecting with audiences and fully immersing herself in her characters. Outside of acting, she is a dedicated fitness enthusiast with a love for CrossFit and wrestling.
Today, she has graciously taken the time to share more about her experiences in Henry VIII and the Men Who Made Him, Triple Love, and Road to Freedom, offering insights into her approach to these diverse and powerful roles.
I was fortunate to have studied Tudor History in my later education, so I was already familiar with Anne Boleyn’s story and her impact on England. I read extensively about her and explored various perspectives, especially since historical accounts from that era often reflected only the views of dominant groups.
I tried to envision her daily life, investigate her childhood, and understand her experiences before becoming queen. By highlighting lesser-known facts about her, I could relate to her as a young woman rather than just as the wife of the most important man of that time.
The men around Henry VIII, particularly Thomas Cromwell, played a crucial role in shaping her fate. The accusations of adultery and incest ultimately led to her execution.
The beheading scene was challenging both for the character and for me as an actor. It was filmed outdoors in the cold, where I wasn’t wearing much clothing, and it took many hours to perfect. I had to tap into the character’s emotions and cry on cue as the beheading approached. Despite the challenges, I gave everything I had to each take, making it both a difficult and rewarding experience.
I’m very similar to Victoria as a person, so I found it easier to relate to her. I thought about how I would handle that situation in real life and brought a slight innocence to it. I wanted to ask questions while allowing space for whatever response came, whether good or bad.
I thought about times when my real-life boyfriends had shared shocking news with me—not necessarily the same news, but moments that caught me off guard. I tried to channel a calm and appropriate reaction. I tend to keep things lighthearted and humorous to avoid awkwardness, which is something Victoria does as well.
I think audiences relate to her because she says what many people are thinking but might not say themselves. Her ability to keep things light, even when discussing serious topics, is something many people do to avoid awkwardness or conflict.
I knew it would be emotionally draining, so I focused heavily on the physicality of the role. This allowed the emotions to emerge naturally—when I broke the physicality, the emotions followed. We took frequent breaks and maintained a fun, positive atmosphere off-set.
The most challenging part was being chained up in a cell on a cold set. Staying in that mindset for long periods was difficult, but knowing we were telling an important story—and that I was trusted with this role—made it all worthwhile.
Most people are aware of sex trafficking, but they rarely see what it truly looks like. I hope this film inspires people to get involved with organizations that support victims or at least become more aware of the warning signs—because trafficking is everywhere and can happen to anyone.
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